Аллен Эдуард

Аллен Эдуард  (англ. Edward Alleyn; 1.09.1566 – 25.11.1626), известнейший английский актёр елизаветинского театра и руководитель актёрских трупп, основатель Колледжа Божьей Благодати и Школы Аллена в Далвиче (Лондон).

Родился в Бишопсгейт (Лондон) в семье владельца гостиницы. Не известно, когда А. начал карьеру актёра, но в 1583 году его имя значилось в списке труппы «слуги графа Вустера». Он считался одним из самых талантливых актёров своего времени, конкуренцию А. мог составить только Ричард Бёрбедж. А. исполнял главные роли в пьесах Марло «Фауст», «Тамерлан», «Мальтийский еврей»; Роланда в «Неистовом Роланде» Грина и , вероятно, Иеронимо в пьесе Томаса Кида «Испанская трагедия». Томас Нэш в Pierce Penniless (1592) включил А. в квартет актёров, вызывавших его восхищение своей игрой: кроме А. он упомянул Бентли Джона, Уильяма Нелла и Ричарда Тарлтона. Томас Хейвуд называл его «неподражаемым» и «лучшим из актёров».

В лондонском театре «Роза», труппой которого руководил А., начал свою карьеру драматурга Шекспир. В 1593 году, когда в Лондоне свирепствовала эпидемия чумы, А. руководил гастролями по провинции (Бристоль, Шрусбери, Честер, Йорк) объединённой труппы, состоящей из актёров «слуг лорда Стрэнджа» и «слуг лорда-адмирала». Позднее все актёры этой труппы прославились исполнением ролей в шекспировских пьесах.
С женитьбой на падчерице Филиппа Хенслоу (1592) А. стал совладельцем его развлекательного бизнеса, который объединял несколько театров, зверинец и бордели. В 1600 году Хенслоу и А. для труппы «слуги лорда-адмирала» построили театр «Фортуна», который составил конкуренцию «Глобусу».
А. покинул сцену около 1598 года, в разгар своей славы. По преданию, сама королева Елизавета просила его вернуться, что он и сделал в 1604 году.
Поместье сэра Фрэнсиса Кэлтона Далвич А. приобрёл в 1605 году за 35 тысяч фунтов. В 1613 году он начал строительство Колледжа Божьей Благодати. По легенде на представлении в Далвиче пьесы Марло «Трагическая история доктора Фауста», где А. играл главную роль, зрителей и актёров напугали призраки, явившиеся на помощь Мефистофелю. После спектакля А. дал обет основать в Далвиче Колледж.
Похоронен в часовне Далвичского Колледжа. 

Первый брак (1592) — Джоан Вудвард (ум. 1623);

Второй брак (1623) — Констанция Донн, дочь Джона Донна.

Лит.: Бёрджес Э. Уильям Шекспир. Гений и его эпоха — М.: Центрполиграф, 2001. — 383 с. — ISBN 5-227-01302-0.

Alleyn Edward (/ˈælɪn/; 1566–1626) was an English actor who was a major figure of the Elizabethan theatre and founder of Dulwich College and Alleyn's School.

He was born in Bishopsgate, London, a younger son of Edward Alleyn, an innkeeper and porter to the queen, and Margaret Townley.  His mother's link to the Lancashire Townley family is somewhat of a mystery. Alleyn himself stated she was the daughter of John Townley of Townley, however this does not easily fit with the available information on the Townley family tree.  Regardless the present-day road that passes his school was named after her in 1884. He was baptised at St Botolph-without-Bishopsgate. He was known to contemporaries as "Ned"; his surname is variously spelled Allen or Alleyne. 

It is not known at what date he began to act, but in 1583 his name was on the list of the Earl of Worcester's players.  He was eventually rated by common consent as the foremost actor of his time; his only close rival was Richard Burbage. 

He played the title roles in three of Christopher Marlowe's major plays: Faustus, Tamburlaine, and Barabas in The Jew of Malta. He created the parts, which were probably written especially for him. The evidence for his stage career is otherwise fragmentary. Other parts thought to be associated with Alleyn are Orlando in Robert Greene's Orlando Furioso, and perhaps Hieronymo in The Spanish Tragedy by Thomas Kyd.  Some further and lost works are thought to have had Alleyn in leading roles, including plays by George Peele such as The Battle of Alcazar.  In a private letter, he mocked himself as a 'fustianking'. 

In 1593, while the bubonic plague was affecting London, he joined forces with some of Lord Strange's Men in a provincial tour, combining them with players from the Admiral's Men with which he was then associated. It extended as far as Bristol, Shrewsbury, Chester, and York. 

He retired at the height of his fame around 1598, and it is said that Queen Elizabeth herself requested his return to the stage, which he did until 1604. Ben Jonson bestowed praise on Alleyn's acting. Thomas Nashe expressed in Pierce Penniless (1593) his admiration for him, in a quartet of English actors including also John Bentley, William Knell and the clown Richard Tarlton; while Thomas Heywood calls him "inimitable", "the best of actors," "Proteus for shapes and Roscius for a tongue." Thomas Fuller in his Worthies later wrote of Alleyn's reputation of "so acting to the life that he made any part to become him". 

He went into business with Philip Henslowe, his father-in-law, and eventually became wealthy. He became part owner in Henslowe's ventures, and in the end sole proprietor of several profitable playhouses, bear-pits and brothels. Among these were the Rose Theatre at Bankside, the Paris Garden and theFortune Theatre on Finsbury Fields. The Fortune was built for Alleyn and Henslowe in 1600, the year after the rival Globe Theatre was completed south of the river, by the same contractor Peter Street, but was square rather than round; it was occupied by the Admiral's Men, of which Alleyn was the head.

He filled, too, in conjunction with Henslowe, the post of "master of the king's games of bears, bulls and dogs." On some occasions he directed the sport in person, and John Stow in his Chroniclesgives an account of how Alleyn baited a lion before James I at the Tower of London. 

Alleyn's connection with Dulwich began in 1605, when he bought the manor of Dulwich from Sir Francis Calton. The landed property, of which the entire estate had not passed into Alleyn's hands earlier than 1614, stretched from Sydenham Hill on whose summit now stands the Crystal Palace television transmission tower, to the crest of the parallel ridge, three miles nearer London, known in its several portions as Herne Hill, Denmark Hill and Champion Hill. Alleyn acquired this large property for little more than £35,000. He began the task of building and endowing the College of God's Gift at Dulwich.

All was completed in 1617 except the charter or deed of incorporation for setting his lands in mortmain. Delays occurred in the Star Chamber, where Lord Chancellor Bacon brought pressure to bear on Alleyn, with the aim of securing a portion of the proposed endowment for the maintenance of lectureships at Oxford and Cambridge. This approach was in line with scepticism on Bacon's part about the impact of charitable foundations, compared to a scheme put forward by Sir Henry Savile and Sir Edwin Sandys that lacked funds.  Alleyn finally carried his point and the College of God's Gift at Dulwich was founded, and endowed under letters patent of James I, dated 21 June 1619. Building had already been begun in 1613.

Alleyn was not a member of his own foundation, but he guided and controlled its affairs under powers reserved to himself in the letters patent. His diary shows that he mixed much and intimately in the life of the college. He engaged the boys in occasional theatrical performances: at a festive gathering on 6 January 1622 "the boyes play'd a playe." 

Alleyn inherited property in Bishopsgate from his father. He married on 22 October 1592 Joan Woodward, stepdaughter of Philip Henslowe. She died on 28 June 1623. On December 3 of that same year he married Constance, daughter of John Donne, the poet and dean of St Paul's. He had no children. Constance remarried in 1630, to a Samuel Harvey.  

Alleyn died in November 1626 and was buried in the chapel of the college which he had founded. His gravestone fixes the day of his death as the 21st, but there are grounds for the belief that it was the 25th. In 1610 Alleyn was a member of the corporation of wardens of St Saviour's, Southwark and there is a memorial window to him in the cathedral. A portrait of the actor is on display at Dulwich Picture Gallery.

Alleyn is unusual among figures in 16th-century drama because a large selection of his private papers have survived. They were published in 1843 as The Alleyn Papers, edited by scholar-forger John Payne Collier. 

Alleyn appears as a character in the 1998 film Shakespeare in Love played by Ben Affleck. He is portrayed as a self-absorbed but well-admired actor who agrees to originate the role of Mercutio inRomeo and Juliet after being told that the play's title is "Mercutio" (an obvious parody of a stereotypical Hollywood star). Alleyn's provincial tour with the Admiral's Men, and his known roles in Marlowe's plays (as well as his playing Henry VI by Shakespeare) are mentioned in the dialogue of the film. He is depicted as advising Shakespeare to change the name to "Romeo & Juliet" to suit the focus of the play.